A feckless troupe of European exotic dancers and their piano player led by a bumbling manager stumble upon a castle after encountering a ferocious storm. The castle, inhabited by Count Gabor, his assistant and a vampire, is little refuge for the traveling showgirls as they slowly fall under the spell of the un-dead demon. Vera, one of the reluctant dancers and the living doppelgänger of the vampire’s dead wife, Margherita Kernassy—who has been dead nearly 200 years—becomes the object of affection for both Count Gabor and the vampire.
Teenage Zombies is a 1960 black and white horror science fiction film, written and directed by Jerry Warren. Although the film’s credits include a 1957 copyright statement for G.B.M. Productions, the film was not registered for copyright at the time of its release.
Shoot the Piano Player (French: Tirez sur le pianiste; UK title: Shoot the Pianist) is a 1960 French crime drama film directed by François Truffaut and starring Charles Aznavour as the titular pianist. It is based on the novel Down There by David Goodis.
A washed-up classical pianist, Charlie Kohler/Edouard Saroyan (Charles Aznavour), bottoms out after his wife’s suicide — stroking the keys in a Parisian dive bar. The waitress, Lena (Marie Dubois), is falling in love with Charlie, who it turns out is not who he says he is. When his brothers get in trouble with gangsters, Charlie inadvertently gets dragged into the chaos and is forced to rejoin the family he once fled.
Last Woman on Earth (1960) is an American science-fiction film produced and directed by Roger Corman. It tells the story of three survivors of a mysterious apocalypse which appears to have wiped out all human life on earth. The screenplay is by Robert Towne, who also appears in the film billed as “Edward Wain”. The music was composed and conducted by Ronald Stein.
Beat Girl is a 1960 British film about late-fifties youth-rebellion. The title character is played by starlet Gillian Hills, who later went on to have numerous small roles in 1960s and 1970s films, such as Blowup and A Clockwork Orange, and became a successful “ye-ye” singer in France.
Beat Girl (1960)
Horror Hotel aka City of the Dead is 1960 horror/thriller film directed by John Llewellyn Moxey and starring Christopher Lee and Valentine Dyall. Produced in England but set in America, the British actors were required to speak with American accents throughout.
AKA Seddok, l’erede di Satana, Atom Age Vampire is a 1960 Italian release. When a singer is horribly disfigured in a car accident, a scientist develops a treatment which can restore her beauty by injecting her with a special serum. While performing the procedure, however, he falls in love with her. As the treatment begins to fail, he determines to save her appearance, regardless of how many women he must kill for her sake.
Peeping Tom is a 1960 British psychological thriller/horror film directed by Michael Powell and written by the World War II cryptographer and polymath Leo Marks. The title derives from the slang expression ‘peeping Tom’ describing a voyeur. The film revolves around a serial killer who murders women while using a portable movie camera to record their dying expressions of terror.
Its controversial subject and the extremely harsh reception by critics effectively destroyed Powell’s career as a director in the United Kingdom. However, it attracted a cult following, and in later years, it has been re-evaluated and is now considered a masterpiece.
The Virgin Spring (Swedish: Jungfrukällan) is a 1960 Swedish drama film directed by Ingmar Bergman. Set in medieval Sweden, it is a revenge tale about a father””s merciless response to the rape and murder of his young daughter. The story was adapted by screenwriter Ulla Isaksson from a 13th century Swedish ballad, “Töres döttrar i Wänge” . The film contains a number of themes that question morals, justice, and religious beliefs, and was considered controversial when first released due to its infamous rape scene. It won for Best Foreign Language Film at the 1961 Academy Awards, and was also the basis for the 1972 exploitation horror film The Last House on the Left. John Waters later found inspiration in Jungfrukällan, and claims it is the first film to portray on-screen vomiting. source: wikipedia.org