The Abominable Dr. Phibes is a 1971 British comedy horror film directed by Robert Fuest, written by William Goldstein and James Whiton, and starring Vincent Price and Joseph Cotten. Its art deco sets, dark humour and performance by Price have made the film and its sequel Dr. Phibes Rises Again cult classics. The film also features Terry-Thomas and Hugh Griffith, with an uncredited Caroline Munro appearing in still photographs as Phibes’s wife.
The film follows the title character, Phibes, who blames the medical team that attended to his wife for her death four years prior and sets out to exact vengeance on each one. Phibes is inspired in his murderous spree by the Ten Plagues of Egypt from the Old Testament.
Lady Frankenstein (Italian: La Figlia di Frankenstein) is a 1971 Italian horror film directed by Mel Welles. It stars Joseph Cotten, Rosalba Neri (under the pseudonym Sara Bey), Mickey Hargitay and Paul Müller. The script was written by cult writer Edward di Lorenzo.
Shadow of a Doubt is a 1943 American film noir psychological thriller directed by Alfred Hitchcock, and starring Teresa Wright and Joseph Cotten. Written by Thornton Wilder, Sally Benson, and Alma Reville, the film was nominated for an Academy Award for Best Story for Gordon McDonell. In 1991, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.
Cuando el Destino nos Alcance (Soylent Green…by DerechoEcologico Soylent Green is a 1973 American science fiction film directed by Richard Fleischer. Starring Charlton Heston, the film overlays the police procedural and science fiction genres as it depicts the investigation into the brutal murder of a wealthy businessman in a dystopian future suffering from pollution, overpopulation, depleted resources, poverty, dying oceans and a hot climate due to the greenhouse effect. Much of the population survives on processed food rations, including “soylent green”.
A biker’s brother is killed while investigating the kidnapping of a young boy, the byproduct of a war between two crime families. The biker vows to get revenge by finding the kidnapped boy and destroying the two families.
Movie: The Third Man (1949) https://youtu.be/Ihlku1aKpRg An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has lead to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime’s friends and associates Martins soon notices that some of the stories are inconsistent, and determines to discover what really happened to Harry Lime. Written by Mark Thompson <email@example.com>
Trivia: Rumors have long since been widespread that Orson Welles wrote all of Harry Lime’s dialogue and even that he took over the direction of his own scenes. Everyone involved, including Welles himself, have always insisted that the film was directed by only Carol Reed. Welles did claim that he wrote most of Lime’s dialogue, which is also a fabrication. The extent of Welles’ contributions were Lime’s grumbling about his stomach problems (which were improvisations) and the famous “cuckoo clock” spiel at the end of the ferris wheel scene.